Jessica

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<channel>
	<title>Jessica</title>
	<link>https://jessicaalaw.com</link>
	<description>Jessica</description>
	<pubDate>Tue, 17 Feb 2026 19:33:52 +0000</pubDate>
	<generator>https://jessicaalaw.com</generator>
	<language>en</language>
	
		
	<item>
		<title>FOREVER ISLAND</title>
				
		<link>https://jessicaalaw.com/FOREVER-ISLAND</link>

		<pubDate>Tue, 17 Feb 2026 19:33:52 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/FOREVER-ISLAND</guid>

		<description>
SPLICE x FOREVER ISLAND

				
Splice is a cloud-based music creation platform and technology company that provides tools, sounds, and software for musicians, producers, and sound designers. For this project, Splice hired Forever Island to record and film six folkloric and indigenous rhythms of the Dominican Republic. 


My role on this project was to direct the film and design the social equity model –&#38;nbsp; intersecting music, education, and decolonizing practices. As the Director, my mission was to film the community, environment, and ceremonies with a lens of respect and admiration, creating a visual language rooted in tradition, bringing the sonic story to life. 
&#60;img width="739" height="415" width_o="739" height_o="415" data-src="https://freight.cargo.site/t/original/i/82d09d0a50030efcc7f369a34e86b6f1bfcbeb352f4ee7a55ff4a672f95f0ef1/undefined-high.gif" data-mid="244942855" border="0"  src="https://freight.cargo.site/w/739/i/82d09d0a50030efcc7f369a34e86b6f1bfcbeb352f4ee7a55ff4a672f95f0ef1/undefined-high.gif" /&#62;

Another core part of this project was to develop a sustainable, conscious, and ethical model of how Splice sources music and pays the musicians for the samples. Working with each community, we interviewed the cultural leaders in the regions, to gather their challenges and desires, and co-designed a model that fit within Spice’s internal stakeholder goals while supporting the community in their efforts to sustain their cultural and financial needs. 

*Short film is still in post-production*


&#60;img width="2988" height="1688" width_o="2988" height_o="1688" data-src="https://freight.cargo.site/t/original/i/ec164b508351a6253646c74e7fc80eef976b4a00386e31a28b8d1fd75c94e9fb/Screenshot-2026-02-09-at-11.05.11AM.png" data-mid="244941927" border="0"  src="https://freight.cargo.site/w/1000/i/ec164b508351a6253646c74e7fc80eef976b4a00386e31a28b8d1fd75c94e9fb/Screenshot-2026-02-09-at-11.05.11AM.png" /&#62;&#60;img width="2994" height="1688" width_o="2994" height_o="1688" data-src="https://freight.cargo.site/t/original/i/e259b46ab63fb9b9b7b92a4213d8e5187b6bdd2f2c7c235f1b551c7486ef866c/Screenshot-2026-02-09-at-11.05.33AM.png" data-mid="244941924" border="0"  src="https://freight.cargo.site/w/1000/i/e259b46ab63fb9b9b7b92a4213d8e5187b6bdd2f2c7c235f1b551c7486ef866c/Screenshot-2026-02-09-at-11.05.33AM.png" /&#62;
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FILM PRODUCTION&#38;nbsp;Director JESSICA LAW Executive&#38;nbsp; Creative Director JARINA DEMARCO Head of Production ALEX KRISPIN Director of Photography Daniel D’Meza&#38;nbsp; Editor JEFF WATTERSON&#38;nbsp;


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	<item>
		<title>COMMON CITIZEN - CANNABIS FOR HUMANITY</title>
				
		<link>https://jessicaalaw.com/COMMON-CITIZEN-CANNABIS-FOR-HUMANITY</link>

		<pubDate>Fri, 11 Feb 2022 00:38:59 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/COMMON-CITIZEN-CANNABIS-FOR-HUMANITY</guid>

		<description>
COMMON CITIZEN - CANNABIS FOR HUMANITY
Abouttime hired me as Executive Creative Producer for COMMON CITIZEN, a Michigan-based cannabis brand rooted in “Cannabis for Humanity.” After aligning with the brand’s ethos, I proposed a documentary as the campaign anchor: a portrait of Michigan communities whose relationship with the plant reflects the past, present, and future of the industry—its harms, its possibilities, and what equity can look like in practice


I partnered with brand leadership, agency teams, and production/distribution partners to align strategy, creative, and execution across deliverables, building a project designed to function as both a cultural artifact and a marketing engine.

&#60;img width="1800" height="1340" width_o="1800" height_o="1340" data-src="https://freight.cargo.site/t/original/i/160b6278b97d1930e27868ee8d908846219935c35ada317b57a648a70a3b86dc/Screen-Shot-2022-02-10-at-7.02.18-PM.png" data-mid="133135010" border="0"  src="https://freight.cargo.site/w/1000/i/160b6278b97d1930e27868ee8d908846219935c35ada317b57a648a70a3b86dc/Screen-Shot-2022-02-10-at-7.02.18-PM.png" /&#62;
The campaign included a 25-minute documentary short-film, a brand spot, a product spot, and a stills library to support the brand across platforms. For the documentary, I interviewed and filmed 15 Michiganders, tracing the plant’s role in their lives and shaping a visual tapestry of what “humanity” looks like across communities. To embody the mission materially, the team developed Principle—a pre-roll with 100% of profits reinvested into Michigan communities 
&#38;nbsp;


&#60;img width="1356" height="456" width_o="1356" height_o="456" data-src="https://freight.cargo.site/t/original/i/12254546baa7dd352e51c9c0019b954a668b21edc83894aed8b7ef70229c2a72/Screen-Shot-2023-01-26-at-10.59.18-PM.png" data-mid="166298426" border="0"  src="https://freight.cargo.site/w/1000/i/12254546baa7dd352e51c9c0019b954a668b21edc83894aed8b7ef70229c2a72/Screen-Shot-2023-01-26-at-10.59.18-PM.png" /&#62;

TO DATE $500,000 HAS BEEN REINVESTEDCREATIVE AGENCY ABOUTTIME 
Founder JAMES GRANT Managing Director STACEY KAWAHATA
Executive Producer JESSICA LAW Creative Director JESSICA LAW 
Public Relations SEEMA DHILLON

FILM PRODUCTION EVEN/ODD FILMS Director MOHAMMAD GORGESTANI Executive Producer &#38;nbsp;MALCOLM PULLINGER Creative Director OMID FATEMI Head of Production TAYLOR FELTNER Line Producer RODNEY BYERSON Director of Photography MICHAEL CAMBIO FERNANDEZ Photographer ALI LAPETINA Editor - Film ASHLEY RODHOLM Editor - Brand MATTHEW HOLLIS Post Production Supervisor ROCCO CAMPENELLI


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	<item>
		<title>NADA - 1800HAPPYBIRTHDAY</title>
				
		<link>https://jessicaalaw.com/NADA-1800HAPPYBIRTHDAY</link>

		<pubDate>Mon, 15 Aug 2022 16:51:55 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/NADA-1800HAPPYBIRTHDAY</guid>

		<description>&#60;img width="712px;" height="166px;" src="https://lh5.googleusercontent.com/HFoV0iIIrlnMr3OsE6yndGPDQ5Yn481QSct1Pp7PZ1gBTCWvNKfc0ebl-52jLdkOV-7W6DNuKhNNfPHzmN_iEnYlpz6-Q-8Vvv_Z-sQIf3XadsxcO5DbwUXQjSmpcpJyrO_8pQqMWnWQRX-ugQRigPo6rA=s2048" style="width: 277.176px; height: 64.6226px;" data-scale="29"&#62;


					1-800-HAPPYBIRTHDAY is a voicemail project and interactive installation celebrating the Black and Brown lives killed by police, featuring 30 hours of voicemails for the families including Oscar Grant, Philando Castile, Mario Woods, Sandra Bland, Eric Garner, and others. 

With support from art non-profit WORTHLESS STUDIOS, the project debuted as a Public Installation at the NADA Art Fair, featuring a phone booth donated by the city of New York. In the fall of 2022, an installation featuring 16 photo booths opened at the WORTHLESS STUDIOS gallery, marking the inaugural exhibition. 

My role was to gather stories, memorabilia, and emotional nuance from the families—especially the mothers—in the Bay Area. I held these materials with care and consent, and they informed the photobooths presented at NADA as part of the gallery exhibition. I spent time with mothers whose children were murdered and co-designed how they wanted their child’s legacy to be represented, creating a monument that centered their life, not the media’s portrayal of their death. I still carry those mothers stories with me.

&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/d15b0369d7161285958699f6a78783dce6b85e2ecdf3d31b854170b4ab6f40ca/1800-NADA-01.jpg" data-mid="163336642" border="0"  src="https://freight.cargo.site/w/1000/i/d15b0369d7161285958699f6a78783dce6b85e2ecdf3d31b854170b4ab6f40ca/1800-NADA-01.jpg" /&#62;&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/8e11591d41c392fc0178cacb59692e0e7ed1200da3efb3270dcc4d49d00eab12/1800-NADA-16.jpg" data-mid="163336535" border="0"  src="https://freight.cargo.site/w/1000/i/8e11591d41c392fc0178cacb59692e0e7ed1200da3efb3270dcc4d49d00eab12/1800-NADA-16.jpg" /&#62;

	&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/c8bfb561ac9725b4b52a6e539c5d338ab4be98223ac5f996a44977dcbf7a8a2d/1800-NADA-32.jpg" data-mid="163336542" border="0"  src="https://freight.cargo.site/w/1000/i/c8bfb561ac9725b4b52a6e539c5d338ab4be98223ac5f996a44977dcbf7a8a2d/1800-NADA-32.jpg" /&#62;
&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/5bcdb4bbd671e7ffd2a3c1dd4ea346c9c96850d7521f7d081b2a032a849c6ad9/1800-NADA-37.jpg" data-mid="163336685" border="0"  src="https://freight.cargo.site/w/1000/i/5bcdb4bbd671e7ffd2a3c1dd4ea346c9c96850d7521f7d081b2a032a849c6ad9/1800-NADA-37.jpg" /&#62;CREATORS EVEN/ODD STUDIOS Director MOHAMMAD GORJESTANI
Senior Art Producer JESSICA LAW Junior Art Producer GENEVIEVE DIAZ Designer PAIGE HANSERD
PRODUCTION/FABRICATION WORHTLESS STUDIOS Founder&#38;amp;Artistic Director NEIL HAMAMOTO Curator KLAUDIA AFWONA DRABER Director of Programs KATHERINE COOPER Director of Space FREE TRIPP Operations Manager EMMA HARD &#38;nbsp;Fabrication Assistant MARYANGELA ROCCA


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	<item>
		<title>MoMA PS1 — REZA ABDOH RETROSPECTIVE</title>
				
		<link>https://jessicaalaw.com/MoMA-PS1-REZA-ABDOH-RETROSPECTIVE</link>

		<pubDate>Mon, 15 Jul 2019 17:23:41 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/MoMA-PS1-REZA-ABDOH-RETROSPECTIVE</guid>

		<description>MOMA PS1 - REZA ABDOH RETROSPECTIVE

				
	When Iranian-American theatre director Reza Abdoh died of AIDS-related complications in 1995 at just 32, he left explicit instructions that his work should never be performed again. In the decades that followed, his hallucinatory theatre largely survived at the margins—glimpsed through a small circulation of VHS recordings within experimental theatre circles. 
&#60;img width="1600" height="592" width_o="1600" height_o="592" data-src="https://freight.cargo.site/t/original/i/cd2f98f6d8c7ca7467c7c1212674fbb8f30744243d2209283e0d068926653545/USE.jpg" data-mid="48217090" border="0"  src="https://freight.cargo.site/w/1000/i/cd2f98f6d8c7ca7467c7c1212674fbb8f30744243d2209283e0d068926653545/USE.jpg" /&#62;
With permission from Reza’s family and community, MoMA PS1 exhibited Reza Abdoh: Bogeyman bringing his life and art into view through a major retrospective exhibition.


&#60;img width="1184" height="789" width_o="1184" height_o="789" data-src="https://freight.cargo.site/t/original/i/73911b2b845eb69f658fb1fba20d101c90737ce125d98105215aa88cd8dbc379/USE3.jpg" data-mid="48217092" border="0"  src="https://freight.cargo.site/w/1000/i/73911b2b845eb69f658fb1fba20d101c90737ce125d98105215aa88cd8dbc379/USE3.jpg" /&#62;For this project, I collaborated with the Creative Director, Editors, and Sound Designer to digitize archival footage and shape it into a four-room, multichannel installation. Working across internal stakeholders (curatorial, design, and technical teams) and external partners (archivists, rights holders, and community collaborators), I helped build an experience that honored Reza’s legacy while engaging members of the queer and Iranian community to ensure the framing held cultural and political nuance with care.


	&#60;img width="1184" height="789" width_o="1184" height_o="789" data-src="https://freight.cargo.site/t/original/i/07a8ce9a968679728eda1a72881b26cf3f85b839180b89fd3bf47d1738c30c50/_Mosaic.jpg" data-mid="48217087" border="0"  src="https://freight.cargo.site/w/1000/i/07a8ce9a968679728eda1a72881b26cf3f85b839180b89fd3bf47d1738c30c50/_Mosaic.jpg" /&#62;&#60;img width="1184" height="789" width_o="1184" height_o="789" data-src="https://freight.cargo.site/t/original/i/f428c17ed521735506ffca696cdfa9a2215a9c89ae5cb0f5939c94c9224c4305/USE2.jpg" data-mid="48217091" border="0"  src="https://freight.cargo.site/w/1000/i/f428c17ed521735506ffca696cdfa9a2215a9c89ae5cb0f5939c94c9224c4305/USE2.jpg" /&#62;Institution MoMA PS1 Curator BIDOUN MAGAZINE Writer NEGAR AZIMI

				
					Designer TIFFANY MALAKOOTI Creative Director BABAK RADBOY Archival Producer JESSICA LAW Editors RUY SANCHEZ-BLANCO + MANUEL BOIM Sound Designer PAUL HSU

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		<title>STILL, HERE I AM</title>
				
		<link>https://jessicaalaw.com/STILL-HERE-I-AM</link>

		<pubDate>Tue, 26 Jan 2021 18:35:13 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/STILL-HERE-I-AM</guid>

		<description>

STILL, HERE I AM.
The intersection of dance and film creates a visual language weaving together the mind, body, and spirit in an attempt to understand someone’s internal experience.


This short film was created out of pain following the murder of Ahmaud Arbery, a story that is perpetually told in America, to humanize and create imagery that is beautiful to balance what our consciousness is fed through the media.

&#60;img width="3580" height="2302" width_o="3580" height_o="2302" data-src="https://freight.cargo.site/t/original/i/dcd515ac2b51d3eb3adae4881e235465b50f9e14c9dc7eb5740deadbc11d3668/1.png" data-mid="96553115" border="0"  src="https://freight.cargo.site/w/1000/i/dcd515ac2b51d3eb3adae4881e235465b50f9e14c9dc7eb5740deadbc11d3668/1.png" /&#62;


Director JESSICA LAW Director of Photography MICHAEL CAMBIO FERNANDEZ Dancer MATTHEW ‘ET’ GIBBS Writer KAY WRIGHT Editor JEFF WATTERSON Sound Designer ALEX KRISPIN Colorist KATH RAISCH 1st Camera Assistant JASON GUERRERO HypeWoman - TATIANA PARKER

	&#60;img width="1898" height="1212" width_o="1898" height_o="1212" data-src="https://freight.cargo.site/t/original/i/c24d382a3d70fcf878855ac803b77452a9d0054e117daf8b6b0cd7fff2e684da/2.png" data-mid="96553116" border="0"  src="https://freight.cargo.site/w/1000/i/c24d382a3d70fcf878855ac803b77452a9d0054e117daf8b6b0cd7fff2e684da/2.png" /&#62;
&#60;img width="1682" height="1032" width_o="1682" height_o="1032" data-src="https://freight.cargo.site/t/original/i/3b9b44f039681adb7199c96b72c298b7885749822fe7e4b72e0a1e48ad4f6d1d/Screen-Shot-2021-01-27-at-4.38.17-PM.png" data-mid="96749081" border="0"  src="https://freight.cargo.site/w/1000/i/3b9b44f039681adb7199c96b72c298b7885749822fe7e4b72e0a1e48ad4f6d1d/Screen-Shot-2021-01-27-at-4.38.17-PM.png" /&#62;
&#60;img width="2508" height="1478" width_o="2508" height_o="1478" data-src="https://freight.cargo.site/t/original/i/b09f4a61015af287bc18f69abe1734cd9870bc517997b9ce95929fc649dce121/Screen-Shot-2023-01-04-at-3.49.00-PM.png" data-mid="163597069" border="0"  src="https://freight.cargo.site/w/1000/i/b09f4a61015af287bc18f69abe1734cd9870bc517997b9ce95929fc649dce121/Screen-Shot-2023-01-04-at-3.49.00-PM.png" /&#62;


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		<title>BEYONCÉ — LEMONADE FILM</title>
				
		<link>https://jessicaalaw.com/BEYONCE-LEMONADE-FILM</link>

		<pubDate>Mon, 15 Jul 2019 16:24:12 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/BEYONCE-LEMONADE-FILM</guid>

		<description>

LEMONADE - FILM


	My role on this project was to manage, source, and execute the wardrobe of three music videos that were produced in Los
Angeles for Beyoncé’s Lemonade Film. Working in the Costume Dept. for this project we were simultaneously creating the costumes for The Formation World Tour.&#38;nbsp;


&#60;img width="1331" height="1000" width_o="1331" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b2253c3293a46317460a48dac25087f9e7a754fe847afdaf44e3dae9c4a690b8/5cd45b15ac7abc6797aee526_beyonce_lemonade_6-inch_good-company.jpeg" data-mid="166372632" border="0"  src="https://freight.cargo.site/w/1000/i/b2253c3293a46317460a48dac25087f9e7a754fe847afdaf44e3dae9c4a690b8/5cd45b15ac7abc6797aee526_beyonce_lemonade_6-inch_good-company.jpeg" /&#62;
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&#60;img width="1279" height="719" width_o="1279" height_o="719" data-src="https://freight.cargo.site/t/original/i/117e2b709f5b3565f647d7a742a3b4df5c2278092090312aab36fbca8100b78d/USE.jpg" data-mid="46680239" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/117e2b709f5b3565f647d7a742a3b4df5c2278092090312aab36fbca8100b78d/USE.jpg" /&#62;
&#60;img width="1366" height="768" width_o="1366" height_o="768" data-src="https://freight.cargo.site/t/original/i/2712ef8f2293443a0e862cb90e0e1393de7272d62b7a02b29dbe524b2a2d56d0/6inch.png" data-mid="48780034" border="0"  src="https://freight.cargo.site/w/1000/i/2712ef8f2293443a0e862cb90e0e1393de7272d62b7a02b29dbe524b2a2d56d0/6inch.png" /&#62;


					Production Company PARKWOOD ENTERTAINMENT Director DIKAYL RIMMASCH Costume Designer MARNI SENAFONT Wardrobe Supervisor JESSICA LAW Stylist Assistants EYOB YOHANNES, KENNY PAU, COURTNEY MADISON, JOHN DE PERALTA, GENEVIEVE TATE


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	<item>
		<title>BEYONCÉ - FORMATION WORLD TOUR</title>
				
		<link>https://jessicaalaw.com/BEYONCE-FORMATION-WORLD-TOUR</link>

		<pubDate>Mon, 15 Jul 2019 16:21:29 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/BEYONCE-FORMATION-WORLD-TOUR</guid>

		<description>

BEYONCÉ - FORMATION WORLD TOUR

				
Managed over 50 contributing designers and the styling team to ensure the costume design for Beyoncé and her 25 dancers was executed precisely and met the strict timeframe of the tour. The Styling Team was the creative dept. that executed all of the costumes on stage and the content during the performances. Working in the Costume Dept. we were simultaneously working on The Lemonade Film &#38;amp; all performance content.&#38;nbsp;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/375bab1ce6ff28360c31e1c7ee754976302b621c942d57e1c8334983a74752ad/MOSAIC.jpg" data-mid="46674121" border="0"  src="https://freight.cargo.site/w/1000/i/375bab1ce6ff28360c31e1c7ee754976302b621c942d57e1c8334983a74752ad/MOSAIC.jpg" /&#62;


Production Company PARKWOOD ENTERTAINMENT Costume Designer MARNI SENAFONTE Wardrobe Supervisor JESSICA LAW Stylist Assistants EYOB YOHANNES, KENNY PAUL, COURTNEY MADISON, JOHN DE PERALTA, GENEVIEVE TATE


	&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/3fdabefd476cb0e8ae00c4f0257f29ca1a262fd852e2ad8634aeb29bbd43eff2/USE.jpg" data-mid="46674126" border="0"  src="https://freight.cargo.site/w/1000/i/3fdabefd476cb0e8ae00c4f0257f29ca1a262fd852e2ad8634aeb29bbd43eff2/USE.jpg" /&#62;&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/8ecd8feb73d58436aab14bb9b5807ad6be90d87ccc43fd8cdc505a08fa345eb6/USE3.jpg" data-mid="46674138" border="0"  src="https://freight.cargo.site/w/1000/i/8ecd8feb73d58436aab14bb9b5807ad6be90d87ccc43fd8cdc505a08fa345eb6/USE3.jpg" /&#62;


MORE PROJECTS</description>
		
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	<item>
		<title>OLYMPICS - LA28 </title>
				
		<link>https://jessicaalaw.com/OLYMPICS-LA28</link>

		<pubDate>Tue, 26 Jan 2021 17:49:48 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/OLYMPICS-LA28</guid>

		<description>LA28 - OLYMPICS CAMPAIGN&#38;nbsp;

STINK STUDIOS brought me on to lead content creation for the LA28 Olympic Campaign. Building on the agency’s strategy, we produced an interview series called “A” Creators, spotlighting Angelenos, athletes, and artists as they reflect on their relationship to Los Angeles and the journeys that shaped them. Grounded in community, the series was designed to honor the city not as a single story, but as a living mosaic, layered, contradictory, and deeply interconnected.


As Creative Producer, I led the production of 22 interviews end-to-end: researching and developing interview prompts, conducting the interviews, setting the visual approach &#38;amp; on-set tone, and directing street casting to ensure the series felt authentically LA.
The interviews also helped shape the campaign’s evolving creative direction—bringing forward the textures, voices, and lived realities that define Los Angeles and clarifying how to represent the city’s complexity with nuance rather than cliché. I partnered with internal stakeholders (agency and LA28 teams) and external collaborators (directors, crew, and talent) to align creative, logistics, and approvals, and worked closely with the Films Team to produce the LA28 broadcast commercial.


&#60;img width="1414" height="794" width_o="1414" height_o="794" data-src="https://freight.cargo.site/t/original/i/6ca2fde3762b6216c0ad7888ff140822e699b262c94d71e98d61a72c0534ec66/Screen-Shot-2023-01-05-at-1.22.19-PM.png" data-mid="163707352" border="0"  src="https://freight.cargo.site/w/1000/i/6ca2fde3762b6216c0ad7888ff140822e699b262c94d71e98d61a72c0534ec66/Screen-Shot-2023-01-05-at-1.22.19-PM.png" /&#62;


&#60;img width="2180" height="1220" width_o="2180" height_o="1220" data-src="https://freight.cargo.site/t/original/i/94dd180926ace698ede3b50ce3ea1e86a1ab8f1a0095f253751a85ceebe3817c/3.png" data-mid="96552996" border="0"  src="https://freight.cargo.site/w/1000/i/94dd180926ace698ede3b50ce3ea1e86a1ab8f1a0095f253751a85ceebe3817c/3.png" /&#62;

&#60;img width="2158" height="1206" width_o="2158" height_o="1206" data-src="https://freight.cargo.site/t/original/i/99a451debc1a7ac158c16b8f1049f6f16e14b858ab553c1c121e14bd53d73aae/Screen-Shot-2022-03-14-at-11.23.40-AM.png" data-mid="136293747" border="0"  src="https://freight.cargo.site/w/1000/i/99a451debc1a7ac158c16b8f1049f6f16e14b858ab553c1c121e14bd53d73aae/Screen-Shot-2022-03-14-at-11.23.40-AM.png" /&#62;
&#60;img width="1370" height="762" width_o="1370" height_o="762" data-src="https://freight.cargo.site/t/original/i/e140cca3dac31d2b373ab4bfff416d23194aa36802c21bfc60397e0b5bfad29d/Screen-Shot-2023-01-05-at-1.28.19-PM.png" data-mid="163707805" border="0"  src="https://freight.cargo.site/w/1000/i/e140cca3dac31d2b373ab4bfff416d23194aa36802c21bfc60397e0b5bfad29d/Screen-Shot-2023-01-05-at-1.28.19-PM.png" /&#62;


“A” Creators 

					Client LA28 Creative Agency STINK STUDIOS Executive Producer JOHN MENDOZA Creative Director STEVEN OLIMPIO Director IAN WATT Creative Producer JESSICA LAW Agency Producer MICHAEL QUINONES Director of Photography ROMAN KOVAL 1st Camera Assistant MARCIN SZOCINSKI Production Manager NOLAN KINGSLEY Editor THERAPY STUDIOS
LA28 Commerical &#38;nbsp;Client LA28 Production Company STINK FILMS Executive Producer MUNGO MACLAGAN Director ELIOT RAUSCH Producer EMI STEWARTDirector of Photography MICHAEL CAMBIO FERNANDEZ Editor EMMA BACKMAN &#38;amp; IAN WATT Sound Designer IAN WATT

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	<item>
		<title>CASH APP - BITCOIN FOR HOTTIES</title>
				
		<link>https://jessicaalaw.com/CASH-APP-BITCOIN-FOR-HOTTIES</link>

		<pubDate>Wed, 04 Jan 2023 19:04:34 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/CASH-APP-BITCOIN-FOR-HOTTIES</guid>

		<description>CASH APP - BITCOIN FOR HOTTIES

	
A video series and brand campaign about Bitcoin’s investing and personal finance, hosted by Megan Thee Stallion. The campaign included short spots for TV and social, featuring “Hot Tips” on banking, investing, and crypto.The project created a crypto and financial literacy series for Cash App, starring Megan Thee Stallion as the CEO of HotGirl Enterprises. With serious insights on topics from Bitcoin to stocks, the videos spotlight Cash App’s place in culture and economic empowerment.
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&#60;img width="739" height="415" width_o="739" height_o="415" data-src="https://freight.cargo.site/t/original/i/4a3b6d784232ab0927125441bf3bc8f74aede67e98f9d4224c88443e154b094e/Bitcoin-for-Hotties---Megan-Thee-Stallion-x-Cash-App-high-1.gif" data-mid="163591589" border="0"  src="https://freight.cargo.site/w/739/i/4a3b6d784232ab0927125441bf3bc8f74aede67e98f9d4224c88443e154b094e/Bitcoin-for-Hotties---Megan-Thee-Stallion-x-Cash-App-high-1.gif" /&#62;
CREATIVE STUDIO + PRODUCTION COMPANY EVEN/ODD
Executive Creative Director MALCOLM PULLINGER Executive Producers CAYCE COLE, MOHAMMAD GORJESTANICreative Director OMID FATEMI Head of Production TAYLOR FELTNER Director MIKE HO Director of Photography ANTHONY KIMATA Production Designer CHRIS JONES Writer ELLE CLAY Creative Producer JESSICA LAW Line Producer SHEENA DOLCE Production Supervisor VERONICA LEON Editor ASHLEY RODHOLM Color KEVIN KIM Sound Design + Mix CHRIS KONOVALIV Compositing CLAUDIA YI LEON Animation WOLF DEN Animation Direction GUSTAVO BALTAZAR Animation Project Manager KOALA MOREDO &#38;nbsp;Art Direction CARLOS TSOI, GUSTAVO BALTAZAR
Design CARLOS TSOI, PEDRO MURTERIA, DANIEL DUNCAN, GUSTAVO BALTAZAR Animators CARLOS TSOI, CHRIS SENEKER, NICK PILTCH, DANIEL DUNCAN, MODELINGS, JASON WRIGHTt, PABLO MARIN
	

&#60;img width="2802" height="1438" width_o="2802" height_o="1438" data-src="https://freight.cargo.site/t/original/i/32cbf4e15f4ce4beab0fcb8f64f83878c99cc0832bae3caa04560195912147c8/Screen-Shot-2023-01-04-at-2.34.47-PM.png" data-mid="163589979" border="0"  src="https://freight.cargo.site/w/1000/i/32cbf4e15f4ce4beab0fcb8f64f83878c99cc0832bae3caa04560195912147c8/Screen-Shot-2023-01-04-at-2.34.47-PM.png" /&#62;


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	<item>
		<title>KENDRICK LAMAR - HUMBLE</title>
				
		<link>https://jessicaalaw.com/KENDRICK-LAMAR-HUMBLE</link>

		<pubDate>Mon, 15 Jul 2019 15:48:32 +0000</pubDate>

		<dc:creator>Jessica</dc:creator>

		<guid isPermaLink="true">https://jessicaalaw.com/KENDRICK-LAMAR-HUMBLE</guid>

		<description>
KENDRICK LAMAR – H.U.M.B.L.E
	
Styling Team that executed the wardrobe for Kendrick Lamar and the cast of HUMBLE. We styled and dressed for 13 scenes for this iconic music video.&#38;nbsp;
&#60;img width="1920" height="1010" width_o="1920" height_o="1010" data-src="https://freight.cargo.site/t/original/i/61ccf8d80fa5ed197f9d857617010e20f0689bf94b55589beec59caa4abfcc7c/_MOSAIC.jpg" data-mid="46674316" border="0"  src="https://freight.cargo.site/w/1000/i/61ccf8d80fa5ed197f9d857617010e20f0689bf94b55589beec59caa4abfcc7c/_MOSAIC.jpg" /&#62;
&#60;img width="790" height="396" width_o="790" height_o="396" data-src="https://freight.cargo.site/t/original/i/29ec6824e15097000f81a4a9d2ba3e72afec1d84cd353051799e01b785bf3523/5d8571e2.png" data-mid="48216472" border="0"  src="https://freight.cargo.site/w/790/i/29ec6824e15097000f81a4a9d2ba3e72afec1d84cd353051799e01b785bf3523/5d8571e2.png" /&#62;


Production Company FREENJOY Director DAVE MEYERS &#38;amp; THE LIL HOMIES Lead Stylist DIANE GARCIA Wardrobe Supervisor JESSICA LAW Stylist Assistant ALANNA ROSE


	&#60;img width="720" height="405" width_o="720" height_o="405" data-src="https://freight.cargo.site/t/original/i/6dec48eeeea02313ff56c6b2e0d7abf481e5219d82751f23505712c83fb0e3ea/sKUMnAu.gif" data-mid="48216475" border="0"  src="https://freight.cargo.site/w/720/i/6dec48eeeea02313ff56c6b2e0d7abf481e5219d82751f23505712c83fb0e3ea/sKUMnAu.gif" /&#62;&#60;img width="1440" height="760" width_o="1440" height_o="760" data-src="https://freight.cargo.site/t/original/i/b4a6dcab452b57c9859c4ac302a82ba03ac8f2437221476076835f15842fd750/Capture-decran-2017-03-31-a-09.14.59.png" data-mid="46674318" border="0"  src="https://freight.cargo.site/w/1000/i/b4a6dcab452b57c9859c4ac302a82ba03ac8f2437221476076835f15842fd750/Capture-decran-2017-03-31-a-09.14.59.png" /&#62;
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